Some time ago, I started a story and it seemed to be going
really well, but when I reread it, a voice in my head started yelling, “NO! NO!
NO!”
I took some time to consider it, and thought I’d figured out
the problem and I came up with a solution. I kept the first scene, where the
hero and the heroine first meet, but I dramatically changed what happened next,
and I was getting somewhere.
Then life, and other stories, got in the way, and it was a
while before I opened this version again, so I started by rereading it. And
again, the voice was yelling at me. Then it dawned on me, the voice starts
yelling when I’m on the first wonderful scene that I slaved so hard over to get
it just right. The scene I spent hours writing, rewriting, and tweaking.
So what was the problem?
Simple, I had them meeting on the first day of school. At
the time, I thought the hero meeting the heroine before he learns she needs
help would be best, but when I thought about it that was kind of dumb. If a
person were inclined to help someone out when they need it most, they’d do it
whether they actually knew the person or not.
And the other issue was the premise of the story. It just didn’t
seem possible for them to accomplish that task starting in the fall and ending
before winter. A fact I had considered in my second version; among my dramatic
changes, I had it that he started fixing up the place where most of the story takes
place over the summer; they would just finish it together. But even then, they
didn’t have enough time, because he hadn’t been planning to finish before
winter. Until she came along, he didn’t need to.
So I needed to start from scratch. Well, not completely. I
did have the character list, the backstory, and a few pieces of the other
versions I could reuse with a little tweaking. But with scrapping that first
scene, and changing the time of year of they meet, I was starting with a blank
page.
And I started writing — twenty-one pages that first day. WOW!
Additionally I had just over 35,000 words seven days later,
as in nearly half a novel in just a week. Can you believe it? And while I haven’t
achieved that word average this week, I’m still moving along.
Of course, that isn’t to say that this will be the final
version. I have over a dozen versions of at least one of my finished
manuscripts, most I have between four and six versions. But I rewrite all the
time, and then the editing starts making more versions, all saved in the same
file.
Please tell me I’m not the only one who does this.
Happy writing everyone! J
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