The Challenge

Last week, as Bonnie said, I challenged her to a race to the end, see which one of us could finish writing our current work in progress by the end of the month. Her main goal was to get it finished so she’d have a clean slate to start a new story for Nano next month.

My motivation is finally getting my mega opus finished. Today I started writing chapter 137 of these epic story, which is really several stories in one. There are so many characters in it and even the non-POV characters have a story line. But I’m oh so much closer. Since at least part of the last few scenes are already written (I do know how the opus ends) I know I’m almost there. I just need a few more scenes to wrap up some story lines and set up that final event.

As I look at what I have now, and the scenes I still need to write, I’m sure I won’t finish at 140 chapters, in fact, because that last event is so big, I’m pretty sure I’ll make at least 150.

Which means I could have 14 more chapters to write in just over a week.

I have ten days to write about 14 chapters.

Scratch that.

Due to plans I have this weekend, I doubt I’ll have any writing time on Saturday.

And then there’s the paperwork, bills and so forth I have to deal with. The grocery shopping. My husband’s car is down, at least until we can fix it, which won’t be until after the first, so guess who gets to do a lot of chauffeuring for the next ten days to two weeks?

But having a goal is a good thing.

Both of us are trying hard to complete our stories.

Most days we both spend time on our stories either adding to them or editing, tweaking, what we already had.

One word at a time we are both getting closer.

She doesn’t think she’ll make any more than I do, but we’re not giving up.

Although I don’t do Nano, I rarely have the time to do that much typing, I can see the value of such challenges. Setting goals with friends, people who will not only keep you on track, but race you to the finish line.

So for all those writers who are doing Nano, I support you. Keep fighting to ‘the end’, and when you reach it, go back and edit, edit, edit, until it’s the best you can offer.

I’d write more now, but I’ve got an alarm going off, I need breakfast, and my opus really wants me to finish that scene I left in the middle of so I could get this written. And I’m sorry this is late, but I really was trying to write that scene.

Smile. Make the day a brighter day.

Language and Communication part 2

In my last post I introduced the concept of language shorthand’s within a culture or between a few people. These shorthand’s can and do develop in families.

In my own family, we’ve developed this type of shorthand. You can easily get my kids laughing by saying “three sneezes”, “cheat, cheat”, “now which one are you” or “nobody has shoes on”.

Come to my house sometime and listen to us discuss a dinner menu or shopping list and try to figure out what “death, poison and pain” are. Death we make efforts to at least limit in our house and keep it away from my youngest daughter. Pain we don’t limit, but do keep away from my two daughters (the two living at home). Poison is not only encouraged, but my youngest son will complain about me making him eat it every day (he’s the one who started calling them poison). I’ll gripe that the list of death and pain is growing.

In one of my stories I have an MC convey a whole story to his brother by saying the name of one of their deceased relatives. It quickly got his point across to his brother, then he had to explain himself to everyone else in the room. But the fact is, as family members, they could express a full story with just a name is believable. The scene wouldn’t have been believable if the MC had to tell the whole story to his brother, who already knew it.

At another point in that same story the mother of one of my characters told her, “Don’t pull an Andrea.”

This was referring to the young woman’s sister, but she got the point. Her sister was known for dawdling.

Do we as writers create believable family dynamics with family members who have a shorthand? Do they say things that sound off the wall but make perfect sense to the family members, while being confusing to anybody else? Can your characters convey stories to each other with just a word or two, or a name?

This dynamic doesn’t have to apply to just families, but can also fit people who’ve been around each other a lot, or grown up together.

In the story I mentioned above, I have a scene where the introduction of a simple food item has two characters, who grew up together laughing. Their community’s shared shorthand. A familiar story they both knew that was funny to them. The people in the room with them had to be told what was funny.

Read through your stories and find out where you can use this shorthand.

In the first scene I mentioned, had the MC told his brother what the problem was by telling the story of their deceased relative, the scene would have been completely different, and they would have trooped out of the room faster than I needed them too. However, normal family dynamics got him to relay the story twice, once quickly to his brother, then a second time, in longer format, to everyone else.

In the second scene I mentioned, I can remember the long sentence I had were the mother was telling her not to dawdle, then it occurred to me, the line about not pulling an Andrea was shorter, got the point across, and was consistent with normal family dynamics.

Read through your stories and see if the dynamic is there. Do they have that shorthand? If not can you create one for them.

Smile. Make the day a brighter day.