POV By Bonnie Le Hamilton

POV stands for point of view, or rather where the person is standing to view a scene. If you’re talking about a place it could be a scenic lookout, but even then, by looking at the same spot from a different direction or distance, you can see something different.

I actually know of a spot, where, when driving a particular road, you’ll see up ahead on the left what looks like a face formed in rock, but as you get closer, that formation will spread out until there is no recognizable face at all. At a distance, the formation appears to be much narrower than it actually is, and only small protrusions of the longer formation can be seen from a distance. And those outcroppings combined with what is visible of the formation appear to be a face.

Prospective makes a huge difference. The same goes with what we are writing in our stories. And I know I’ve said this before, because it can make a big difference. Generally, as writers we tend to lean toward writing a scene in the POV of the character with the most to lose. Essentially, we write a scene in the POV the character with the strongest feelings, in doing so we must recognize that the other characters who view that same scene will view it differently.

Not because of where they are standing, but because of how they are feeling. All of us filter what we see and experience through our own emotions, so each of us experience the same event differently, because we feel them differently.

And just because one character doesn’t like what happens, doesn’t mean another can’t hate the event too, but for totally different reasons. And to say one characters feelings are immaterial is ludicrous. The feelings of one character doesn’t cancel out the feelings of the other, even if you are only showing one POV, both characters have feelings. 

I think the romance novels which have the “he said/she said” scenes depict this quite well, and I’m certain I showed it myself in a phone conversation scene I wrote years ago. In that, I included each character’s feelings to what they were saying and hearing. It was a simple back and forth, but it wasn’t they’re words which told the story it was their thoughts.

Each of them viewed what was being said differently, because they each felt different about it. That isn’t to say one point of view is wrong and the other is right, because they are both correct.

The event is the same, but the emotions are different, and one interpretation of the event doesn’t cancel out the other interpretation because everyone bases the interpretation on their feelings, not on the event itself.

Someone once told me that sometimes you could learn a lot about a character writing a scene from that character’s prospective instead of the one you have. I think that for some it will be an eye opener, just like when we try to see real events from the prospective of someone else. If we do it right, we see the difference and come to understand the other person better, if we do it wrong, the gulf remains.

In writing, we must at least visualize the feelings of every character involved, so that we show their reactions correctly. It is by far not the whole picture, but it is at least some of it.

Happy writing everyone. J

Busy is Relative by Bonnie Le Hamilton

Yesterday it took me most of the day to do a load of dishes then sweep and mop my kitchen, hall, and bathroom. Not that either is a big job. Of course, they aren’t. This isn’t a big apartment, and I do live alone. It’s just that I had to keep stopping to catch my breath and rest a minute or two. And even with all that resting, by the time I completed those tasks, I was a bit stressed; I didn’t finish my “to do” list.

Konnie didn’t finish hers either, but well, she rarely does. And she rarely does because none of her immediate family members recognize that she has more to do in her day then run people around to all their various appointments and activities. Let alone that she isn’t goofing off when she’s sitting at her computer. And I’m not even talking writing.

Konnie spends time doing online surveys, which nets her a little extra money every year, and she uses quicken to do the family finances, and all their various bank accounts are online too.

For me, I consider I have a busy day if my “to do” list has more than four items on it; Konnie would consider that a vacation. I seriously doubt her “to do” list ever has less than ten items on it. If mine had ten items on it, I’d included my shopping list. Even when I had a car, and was driving my sister-in-law around to all her appointments, my “to do” never had more than five things on it, and I considered it a hectic day if my sister-in-law had more than one appointment. (She only rarely had two appointments in a single day.)

Konnie would consider that a lazy day.

Busy is relative. What one person considers busy, another would consider lazy. Viewpoint and perspective change by who is seeing, or doing, what is going on. This is especially true in our stories.

Have you ever tried writing a scene from the POV of another character? It becomes a completely different story because that character will “view” the events in a way the original character didn’t. I actually have one scene I’ve written in two different POV’s but that’s because the main character didn’t notice some things his buddy did.

Viewpoint, and frankly attitude, changes the story. Has anyone else tried this? Written one scene from two POV’s? Do you see what I mean?

Happy writing everyone. J  

Perspective

During their school years, I’m sure most kids had a class they didn’t look forward to. Mine changed as I got older, but when I was in grade school, I hated Art class.

I groaned a lot when I saw our teacher, which was a lot because, unfortunately, she was my mother. Despite being her offspring, I can’t draw. Doodle yes; draw no, evident in the fact that I got a D in art.

My mother didn’t give up trying, she even convinced me to take art in seventh grade. Frankly, both of us figured if someone else taught me it would work better.

Well he did give me a C. I guess that’s better, but I still can’t draw. I can barely even tell you what perspective is. And, heck, that’s vocabulary, not art!

I can still see my mother drawing lines at an angle over the paper, and then sketching different things at different spots on the graph she made, as she talked about how to make things larger that are closer and smaller that are further away.

Next to the color wheel, perspective was probably the easiest thing for me to learn. It made sense to me.

Of course, when I gave up on being an artist, I figured I didn’t have to worry about perspective ever again. That is until the other day when it dawned on me I have to deal with it all the time.

POV is perspective!

And boy is there a lot more to perspective when you’re using words rather than drawings. In writing, perspective isn’t affected by how near or far the thing is, its affected by era, upbringing, attitude, experience, and setting.

A character from say the 1830’s is going to have a different attitude, experience, and even upbringing than one from today. They’d use different term too. Of course, characters from the same era can have different attitudes, depending on upbringing or experience. Perspective makes a huge difference.

It can make a difference in how you’d write a scene too.

Is the narration in the narrator’s voice or the character’s voice?

What attitude does the character have? What is the character’s experience? How a character feels about the events around them will affect how they respond to those events and two characters are going to respond alike.

Number one, if they did, it would make for a boring story, and number two, it wouldn’t be realistic. Even Konnie and I don’t respond the same to any given situation; we don’t think alike – most of the time. After all, while our formative vital statics are virtually the same, there’s that little she’s shy I’m not issue that makes a huge difference in how we feel.

Writing perspective isn’t showing the vista from where the character is standing, it’s about attitude since an outdoorsy person would view the same forest differently than a city person making the story different.

And I find it changes everything in the story, when I change the POV. Don’t you?

And it’s time to get back to my writing! Have fun everyone. J